nach zwei eps, einem live-album sowie shows in london, la, paris und tokio, hat sich puma blue zunehmend als eines der wichtigsten talente aus uk etabliert. jetzt veröffentlicht er sein debüt -in praise of shadows-: trübe late-night-vibes flimmern durch die songs gepaart mit der zärtlichkeit seines gesangs. mühelos verschmelzen jazz, r&b und soul zu einem ganz eigenen sound.
the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.
a statement on the fragile beauty in every moment. marsen jules releases his concept album shadows in time end of may 2016 on oktaf records/ kompakt. the generative composition is released as static cd version and in more than 300 variations on usb flash drives and vinyl pressings in a limited edition.
from the shadows is black sun empires fifth studio album, a high energy, high quality follow-up to 2010s lights nad wires packed with 170bpm plus beats, gut-wrenching basslines and a decidedly exciting take on the drum n bass formula. from the shadows features collaborations with mau5trap signed mc group foreign beggars, new zealand singer-songwriter thomas oliver, czech cinematic scorer rido, fellow dutch dnb stars noisia and more. this is an unbending, unapologetic, fully charged album thats infused with dark and brooding atmospheres.
its been a long time coming but loxy and resounds debut album -burning shadows- has finally arrived on dbridges exit imprint and its a ragga infused tech drum n bass belter. the albums 13 tracks feature eerie sci-fi style atmospheric soundscapes with plenty of menacing dub bass and sparse d n b percussion. stand out tracks are -sin city- with its fear inducing acidic bass line and half time feel (think of it as the perfect music for the chase scene from ridley scotts -alien-), and -conqueror x- with its deep dark repetitive bass line.
2011 release, the third album from the british electronic artist (real name: elliot john gleave) who combines beat-driven musical journeys with bits of hip hop, rock, pop, dubstep and house. following on from his breakthrough album, won t go quietly (2010), playing in the shadows offers up exactly what his fans want... and more. a grand time is guaranteed for all.
party pest features ex-the reprobettes members jemma jives (drums & vox) and sally balhorn (guitar & vox) alongside bass player julia watt (moody beaches, la bastard, hot wings) and kate alexander on synth (ute root, the hot blood).
first vinyl release of the self-titled 1993 debut album from electric orange. pressing on orange marbled 180 gram double vinyl, housed in a gatefold sleeve.
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